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Papers On Graphic Arts
Page 11 of 25
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Graphic Design After Industrialization
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A 5 page paper discussing changes the computer age has brought to graphic design. The design abilities central to the success of the graphic designer receive greater expectation than in the past. No longer is it sufficient for a graphic designer to produce a marketing piece showing the product with a smiling consumer standing nearby. Now, such visuals are expected to convey a variety of marketing messages including quality, value and status. The creativity factor of the graphic designer has been highlighted so that it is now one of the most important qualities the designer can bring to work. Bibliography lists 2 sources.
Filename: KSgraphDes.rtf
Graphic Design and Contemporary Photographic Theory
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A 5 page discussion of the parallels between computer-aided graphic design and conventional photographic theory. Emphasizes the tremendous diversity
of tools which are available to the graphic design artist and discusses
how these tools are similar to those available to conventional
photographers but much more extensive. Concludes that the graphic
design artist must recognize not only the tools and methodologies which
are available but also the traditional value system which is associated
with those tools. Bibliography lists 3 sources.
Filename: PPphoto.wps
Graphic Design, Corporate Identity and Subculture
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This 12 page paper considers the importance of graphic design in the formation of cooperate identity, and the way in which sub culture is used successfully and unsuccessfully. The writer looks at influence of logo’s such as the IBM logo as well as more modern manifestations, such the attempt to change the corporate image of British Airways and the controversial tail fin designs. The bibliography cites 7 sources.
Filename: TElogode.rtf
Graphic Design: Ethnic And Gender Discrimination
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10 pages in length. Ethnic and gender discrimination is no stranger to the workplace. Inasmuch as graphic design is essentially a white man's world, it has been extremely difficult for ethnic women to break the mold and be represented for their talents, while not being overlooked merely because of their gender. To say that ethnic women have had to fight for their existence within the world of graphic design would be a gross understatement. Indeed, the road to self-expression through the artistic expression has been paved with patriarchal intolerance and characteristic skepticism. That women have been forced to prove their worthiness within the stringent boundaries of a male-dominated industry speaks volumes about the inherent fortitude that comprises the female spirit. The concept of feminism embodies a number of critical theories by which to better address the various perspectives of interdisciplinary connection. The writer discusses that a primary quest exists to assess the sometimes-strained yet always misunderstood relations between the genders within the graphic design industry. Bibliography lists 5 sources.
Filename: TLCgrfic.wps
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