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Hurston and Toomer / Vernacular & Self-Image
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An 11 page paper examining how Zora Neale Hurston's and Jean Toomer's use of the vernacular in their works reflects their own self-concept as black people. Novels discussed are Cane and Their Eyes Were Watching God. Bibliography lists 9 sources.
Filename: Hurstooo.wps

Society And The Individual In Ibsen And Hurston
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A 5 page look at the way the female protagonists of Henrik Ibsen's A Doll's House and Zora Neale Hurston's Their Eyes Were Watching God respond to society's traditional roles for women, and to what extent these characters are able to overcome these social constrictions to achieve a self-actualized life. No additional sources cited.
Filename: Hursoci.wps

Class Struggle In Four Multicultural Authors
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A 5 page paper looking at the works of James Joyce, Lu Xun, Mahasweta Devi, and Pramoedya Ananta Toer, in terms of how these authors reflect class stratifications within their respective cultures. Stories mentioned are Joyce's 'Araby,' Lu Xun's 'My Old Home,' Devi's 'Breast-Giver,' and Toer's 'Inem.' Bibliography lists two additional sources.
Filename: Strugcl.wps

Building Rounded Characters In The Short Story
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A 6 page look at the way Susan Glaspell, John Updike, William Faulkner, and Guy de Maupassant build realistic and believable characters in their short fiction. Particular stories discussed are Glaspell's 'A Jury of Her Peers,' Updike's 'A & P', Faulkner's 'Barn Burning,' and de Maupassant's 'The Necklace.' Bibliography lists 8 sources.
Filename: Runded.wps