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Papers On Theater
Page 8 of 158
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"The Blood Knot": Identity
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A 22 page paper which discusses different aspects of
identity as is found in Athol Fugard's play, "The Blood Knot." Homi K. Bhabha's theories,
regarding colonial mimicry, are also discussed as they apply to Fugard's play. Bibliography
lists 5 additional sources.
Filename: RAbloodk.wps
"The Crucible" Asks Difficult Questions
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(5 pp) Is it some tragic theme, of humanity, that
needs to keep repeating itself--married man has an
affair with young girl, destruction follows? Or
does literature just reflect the consistent
foibles, or "the potholes" in the human road?
Arthur Miller makes the bad guys the heroes in his
1953 play the Crucible. We will look at this
reversal of morality in the characters of John
Proctor and Rebecca Nurse in this discussion.
Filename: BBmilcrc.doc
"The Greatest Othello?" -- Laurence Olivier's 1965 Film
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This 4 page report discusses
Sir Laurence Olivier's 1965 film version of Shakespeare's "Othello." The film is
something of a hybrid in that it is actually a filming of the stage production by the
National Theatre of Great Britain. Bibliography lists 3 sources.
Filename: BWothLO.rtf
"The Iceman Cometh," "Waiting For Godot" And "Death Of A Salesman": Time And Attitude
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6 pages in length. The writer discusses the aspects of time and attitude as they relate to the three plays. Bibliography lists 6 sources.
Filename: TLCicemn.wps
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